Home is
something you
carry.
A clothing archive of Croatia, surveyed one city at a time. Each piece is a documented specimen: the country worn quiet at the chest, the city worn loud across the back.
LN·001 / Zagreb
Plate I
45.8150° N15.9819° E Reverse
320 GSM
Zagreb, documented.
Split, documented.
Heritage that doesn't shout.
No flags. No slogans. Lijepa naša documents the homeland the way a surveyor would: a coordinate, a street grid, the monument on the square, the year a city was founded. Quiet on the front, the whole city on the back.
Vol.01 is Zagreb and Vol.02 is Split — each issued in two states and a numbered run of 100, printed on heavyweight garment-dyed cotton and shipped from the EU. Every volume opens a new coordinate.
Vol.03 — Dubrovnik
Logged from everywhere.
"Finally something that reps where I'm from without a flag on it. The reverse is the nicest print I own."
"Bought the black state for my dad in Toronto and the white for me. It just feels like home."
"Quiet front, whole city on the back. The coordinates start a conversation every time. Waiting on Vol.02."
First access to
every coordinate.
The index.
Every garment is a numbered specimen of a Croatian city. Vol.01 documents Zagreb, Vol.02 documents Split — each in two states, white and black. Hover any plate to turn it from obverse to reverse.
—
Specimen record
Cloth
Dispatch
The city, annotated.
The other state.
Zagreb & Split.
A study of two Croatian cities — their maps, monuments and names — surveyed between the capital, the coast and the diaspora.
Zagreb, worn large.
Split, worn loud.
The whole city, on your back.
Each reverse carries a city in full. Zagreb gives you the street grid of Donji Grad, the Ban Jelačić monument and the founding year; Split gives you the old-town grid, the Riva and the bell tower of St. Domnius. The obverse stays quiet — just the wordmark and the country, drawn small.
Open the index